Columns

Their America
• Their America: Yesss!...Thud
From Issue 13
by Slotcar Hatebath
Hatebath advocates X-treme sports related suicides.

• Their America: Nudes on the Moon
From Issue 14
by Slotcar Hatebath
Hatebath sends controversial works of art to the moon.

• Their America: Bar? None
From Issue 15
by Slotcar Hatebath
Does beer taste better in faux-Irish pubs?

•Nobody Hugged Goodbye
by Mr. Slotcar Hatebath
Hatebath mourns and celebrates the end of an era.

Noisy Parker/James Parker's Golden Ears
• Noisy Parker: Queens of the Stone Age
From Issue 15
by James Parker
Queens of the Stone Age, Soul Brains, Lungfish, and more.

•James Parker's Golden Ears: Punk Rock Karaoke
by James Parker

• James Parker's Golden Ears: Scissorfight
by James Parker

•Noisy Parker
James Parker
James reviews Snapcase, Richard Meltzer and more.

The Club Havana Secret History of Cinema
• The Club Havana Secret History of Cinema: An Introduction
by Club Havana
"The singular visions of the films we like will overshadow the stuffed-and-mounted 'classics' of a movie culture that refuses to admit there's a world out there waiting to be discovered."

• The Club Havana Secret History of Cinema: 1939
by Club Havana
Huge monoliths of that golden year and the expressive potential of the image.

• The Club Havana Secret History of Cinema: 1946
by Club Havana
Post-war disillusionment and the inadequacy of film noir.

• The Club Havana Secret History of Cinema: 1953
by Club Havana
CinemaScope, 3D, progressive aesthetics, and "psychotronic" films.

•Club Havana Secret History of Cinema: 1968
by Club Havana
High art and low art smashed into each other in the cinema of 1968.

•Club Havana Secret History of Cinema: 1976
by Club Havana
The best films of 1976 are difficult and demanding, showing helplessness and lack of direction.

•Club Havana Secret History of Cinema: 1986
by Club Havana
1983 saw, on the one hand, the release of successful entertainments that proved how thoroughly the seventh art had degenerated.

•Club Havana Secret history of Cinema: 1994
by Club Havana
1994 is the year, more than any other, that epitomizes the insanity of the Secret History of Cinema project.

Payload
•Payload
by Contributing Editors
Hermenaut staff writers review enough to pay the bills, including Maakies, Nurse Betty, The Island of Lost Maps, The Tao of Steve, Fiend without a Face and Wuchon House potato salad.

•Payload: 11.29.2000
by Contributing Editors
Hermenaut staff writers review enough to pay the bills, including Hot Summer, Black Seeds of Vengeance, This Craft of Verse, Dr T. and the Women, andA Massive Swelling.

•Payload: 12.27.2000
by Contributing Editors
Hermenaut staff writers review enough to pay the bills, including the Alphasmart 3000IR, Eros and Civilization, Classic European Cinema, Real Simple, and The Golden Compass.

•Payload
Contributing Editors
Several of Hermenaut's contributing editors get together to pay the bills. The reviews include Comb in Blue Water, We've Got Issues: The Get Real, No B.S., Guilt-Free Guide to What Really Matters, Time Regained, La Commune, The (Mystic, Conn.) Traveler.

•Payload
Contributing Editors
Several of Hermenaut's contributing editors get some reviews together to pay the bills, including Shutterbabe: Adventures in Love and War by Deborah Copaken Kogan, The House of Mirth, Up in Mabel's Room and Getting Gertie's Garter, Snatch, and Reading 1922: a Return to the Scene of the Modern by Michael North.

•Payload
Contributing Editors
In the current installment we find: Susan Roe on Bruce Tulgan's Managing Generation X; Jen Collins on the 2001 Dunkin' Donuts calendar; T.R. Johnson on William Osborn's The Wild Frontier; Ingrid Schorr on Bob Flanagan's Pain Journal; and Josh Glenn on Mel Gordon's Voluptuous Panic.

Feed Dailies
• Journal: February 1999
by Joshua Glenn
Josh Glenn re-examines himself and his dailies from one year ago, and pauses to remember the woman who insisted that "intense mutual erotic love... presents itself as such a dizzyingly lofty value that even to speak of 'enjoying' it seems a sacrilege."

•Journal: March 1999
by Joshua Glenn
Josh Glenn re-examines himself and his review of book reviewer Michiko Kakutani.

•Journal: April 1999
by Joshua Glenn
Josh Glenn walks the tightrope between philosophy and daredeviltry.

•Journal: May 1999
by Joshua Glenn
Josh Glenn re-examines himself and Dana Plato.

•Journal: June 1999
by Joshua Glenn
Josh Glenn re-examines himself and becomes idle.

•Journal: July 1999
by Joshua Glenn
Josh Glenn reexamines himself and finds Oprah Winfrey.

•Journal: August 1999
by Joshua Glenn
Josh Glenn re-examines himself and Harper's.

•Journal: September 1999
by Joshua Glenn
Josh Glenn re-examines himself and goes into intellectual exile.

•Journal: October 1999
by Joshua Glenn
Josh Glenn re-examines himself and opposes the world's inherent meaninglessness.

•Journal: November 1999
by Joshua Glenn
Josh Glenn re-examines himself and discovers truth and beauty.

12.06.00
•Journal: December 1999
by Joshua Glenn
Josh Glenn re-examines himself and Sly Stallone.

•Journal: January 1999, 2000
by Joshua Glenn
Josh Glenn re-examines himself and his final two FEED journals.